Pro-Homosexuality essays

Pro-Homosexuality essays There is a continuous debate going on with homosexuals and their rights to adopt a child. The number of gays who want to form a family by adoption is growing over the years. Although opinions can vary on this subject, I feel there is no reason why homosexuals should be denied the right to adopt. Gay adoption laws vary throughout the states. In the book on homosexuality, Focus on the Family, which was published in 1994, there are statistics referring to this very sensitive topic. It was reported that the states of Florida and New Hampshire have laws that forbid gay adoption. Meanwhile California, Minnesota, New York, and New Jersey have laws that permit homosexuals to adopt. Also, the states of Arkansas, Missouri, North Dakota, and Virginia have legal precedences in which the courts ruled that gays and lesbians are automatically unfit as parents. The remaining forty states have no laws, either forbidding or permitting adoption to day individuals or couples. Times are changing however, and over ten years a few states have changed their opinions on homosexual adoption. In May of 2000, Connecticut allowed adoption by homosexuals and unmarried heterosexuals. In 2002, Mississippi banned homosexual couples from adopting. The opposition to gay adoption uses the excuse that a child needs a mother and a father. What about single parents who raise a child? Does being a single parent make someone unfit to raise a child? If the family situation is stable, what is the difference if there is a mother and father, a single parent, or two parents of the same sex? As long as there is loving care and support does it matter what the sexual preference of a parent is? Those who oppose homosexual adoption also tend to feel that homosexual parents raise homosexual children. If that were true then heterosexual parents would raise heterosexual children, resulting in no gay people. Life doesnt work like that. A homosexual child can come fr...

Spiders in Space on Skylab 3

Spiders in Space on Skylab 3 Anita and Arabella, two female cross spiders (Araneus diadematus) went into orbit in 1973 for the Skylab 3 space station. Like the STS-107 experiment, the Skylab experiment was a student project. Judy Miles, from Lexington, Massachusetts, wanted to know if spiders could spin webs in near-weightlessness. The experiment was set up so that a spider, released by an astronaut (Owen Garriot) into a box similar to a window frame, would be able to build a web. A camera was positioned to take photos and videos of the webs and spider activities. Three days before the launch, each spider was fed a house fly. They were provided with a water-soaked sponge in their storage vials. The launch took place on July 28, 1973. Both Arabella and Anita needed some time to adapt to near-weightlessness. Neither spider, kept in holding vials, voluntarily entered the experiment cage. Both Arabella and Anita made what has been described as erratic swimming motions upon ejection into the experiment cage. After a day in the spider box, Arabella produced her first rudimentary web in a corner of the frame. The next day, she produced a complete web. These results prompted the crewmembers to extend the initial protocol. They fed the spiders bits of rare filet mignon and provided additional water (note: A. diadematus can survive up to three weeks without food if an adequate water supply is available.) On August 13th, half of Arabellas web was removed, to prompt her to build another. Although she ingested the remainder of the web, she did not build a new one. The spider was provided with water and proceeded to build a new web. This second complete web was more symmetrical than the first full web. Both spiders died during the mission. They both showed evidence of dehydration. When the returned web samples were examined, it was determined that the thread spun in flight was finer than that spun preflight. Although the web patterns made in orbit were not significantly different from those that were built on Earth (aside from a possible unusual distribution of radial angles), there were differences in the characteristics of the thread. In addition to being thinner overall, the silk spun in orbit exhibited variations in thickness, where it was thin in some places and thick in others (on Earth it has a uniform width). The start and stop nature of the silk appeared to be an adaptation of the spider to control the elasticity of the silk and resulting web. Spiders in Space Since Skylab After the Skylab experiment, Space Technology and Research Students (STARS) conducted a study on spiders planned for STS-93 and STS-107. This was an Australian experiment designed and conducted by students from Glen Waverley Secondary College to test the reaction garden orb weaver spiders to near-weightlessness. Unfortunately, STS-107 was the ill-fated, catastrophic launch of the Space Shuttle Columbia. CSI-01 started on ISS Expedition 14 and was completed on ISS Expedition 15. CSI-02 was performed on ISS Expeditions 15 through 17. The International Space Station (ISS) conducted two well-publicized experiments on spiders . The first investigation was Commercial Bioprocessing Apparatus Science Insert Number 3 or CSI-03. CSI-03 launched to the ISS on the Space Shuttle Endeavour on November 14, 2008. The habitat included two orb weaver spiders (Larinioides patagiatus or genus Metepeira), which students could view from Earth to compare the feeding and web-building of the spiders in space against those housed in classrooms. The orb weaver species were selected based on the symmetrical webs they weave on Earth. The spiders appeared to thrive in near-weightlessness. The second experiment to house spiders on the ISS was CSI-05. The goal of the spider experiment was to examine the changes in web construction over time (45 days). Again, students had the opportunity to compare the activities of spiders in space with those in classrooms. CSI-05 used golden orb weaver spiders (Nephila claviceps), which produce golden yellow silk and different webs from the orb weavers on CSI-03. Again, the spiders constructed webs and also successfully caught fruit flies as prey. Golden orb weaver spiders were selected for CSI-05. Joe Raedle / Getty Images Sources Witt, P. N., M. B. Scarboro, D. B. Peakall, and R. Gause. (1977) Spider web-building in outer space: Evaluation of records from the Skylab spider experiment. Am. J. Arachnol. 4:115.

Primitivism and Non-Western Art Assignment Example | Topics and Well Written Essays - 250 words

Primitivism and Non-Western Art - Assignment Example The essay "Primitivism and Non-Western Art" focuses on the Primitivism style and Non-Western Art. Many people see this act as a reaction to Europe’s classicist way of interpreting the nude female body. Gauguin wanted to revise how the female figure was painted and appreciated, thus, painting the naked Tahitian women in a manner that was new to the Europeans that time. Some say it can be a subversive act on Gauguin’s part, as he was rebelling on the common trends of the European painters. He â€Å"revised† the female nude figure. Instead of focusing on the perfection or the anatomy of the model, or the sense of evil in looking at a naked female figure, Gauguin painted Tahitian women with their natural curves in their natural â€Å"habitat†, evoking feelings of eroticism and admiration, but without the association of sin or evil as dictated by the closed European society. This is one of the merits of the style, as it is sensual but not dismissive of human na ture’s preoccupation to sex. Primitivism does not romanticize sex, but rather romanticizes the idyllic lifestyle in the tropical islands. It celebrates the life in remote islands against colonialism at the same time the simplicity of humanity. It shows that non-Western art is as important as the ones in Europe and as significant too. This is quite influential to artists now, especially those who advocate anti-colonialism as it shows that Western Art may not be always superior. Primitivism is an art movement that does not adhere to Western standards.

Student Nonviolent Coordinating Committee Essay Example | Topics and Well Written Essays - 750 words

Student Nonviolent Coordinating Committee - Essay Example The essay "Student Nonviolent Coordinating Committee" talks about the Student Nonviolent Coordinating Committee, one of the major organizations of the American Civil Rights Movement. In April of 1960 Ella Baker, an expert civil rights organizer, invited black college students who had taken part in the 1960 sit-ins to meet at Shaw University.Alongside specific activities targeted at gaining civil rights for Blacks, SNCC also addressed major political issues of the sixties, namely feminism and the Vietnam War. SNCC officially came out against the Vietnam War in the beginning of 1966. SNCC linked the brutal bombing of Vietnamese citizens to the U.S. government's recurrent failure to bring the murderers of black people to justice. The destruction of Vietnamese rural life in the name of "pacification" was held akin to the destruction of African culture during the period of slavery. Hence, SNCC disputed the U.S. government's "benevolent intentions." The group did not believe that the gover nment would build a truly democratic society with free elections in a foreign country when such rights were not provided for a large percentage of the Black people at home. Several people feel that SNCC opened the door for the feminist movement. It united the oppressed and it viewed discrimination, in the form of racism or sexism, as a core social dilemma. In 1964, SNCC published a position paper that described the situation that women faced within the organization itself, indicating an awareness of the problem before it was fashionable.

Self-Employed Womens Association Essay Example for Free

Self-Employed Womens Association Essay Population inflation has become a constant problem and a developing conflict for all the nations in the world especially those with such little total land gross area. Urbanization and Population growth seems to coincide because both of it has become growing concerns of the world today. Though Urbanization has the more positive side of it, there are still some who oppose this ideology. Regarding population growth, it has become one aspect of the global community that indicates such a threatening reality. The people are multiplying by the minute but the resources that keep the people alive has become more scarce through the years. The scarcity of resources to satisfy population has become blatantly damaging. The growth rate around the world is increasing every year and as seen in the worlds most populous countries such as China, India, USA, the population has been inflating due to birth and fertility rate. Answering to the problems caused by overpopulation, urbanization solutions has become one arguably reliable remedy. There are four examples of cases where a positive output was produced and was recognized in the 1996 Dubai Awards. These are the Institutionalizing of Community-Based Development in Abidjan, another was the action by the Self-Employed Womens Association (SEWA) Bank, another was the City Management in Tilburg ranging from the past, present and the future, these are samples of overcoming the challenges of population and urbanization. Urbanization can produce both negative and positive effects on communities, depending on how the leaders of these communities take advantage of it. There are possible environmental problems due to urbanization but there are also environmental benefits due to urbanization. Its like a give and take relationship for population and urbanization, the importance of how the population should be treated must coincide positively with how urbanization should be handled properly to reap benefits for the population. REFERENCES http://www. unesco. org/most/africa17. htm http://www. unesco. org/most/asia1. htm http://www. unesco. org/most/africa3. htm http://www. unesco. org/most/westeu14. htm http://www. unesco. org/most/usa1. htm http://www. unesco. org/most/southam1. htm.

Swallowing Stones :: essays research papers

Throughout the novel Swallowing Stones, Michael is faced with problem after problem. Each problem that occurs, he must make choice after choice. Michael is faced with a position that he must make the choice that will change the course of his indefinitely. Michael soon finds out the mystery death of Charlie Ward. Soon Michael starts asking himself the question â€Å"Could he be Charlie Ward’s Killer?† Michael is sure of it. He is now faced with the ultimate consequences that he must face. He knows that if he turns himself he might be let off easy. But then Joe gets him thinking about how easy it would be to just get away with it. He knows that there is know way that they could ever trace that bullet back to his Grandfathers antique rifle, or could they. Michael soon decides that if he can trust Joe enough to keep in silence, he may be able to out wit the police. When Michael makes his decision, he never considers the ramifications that will come of it. For example, Michael never even considers the long agonizing nights he will stay awake or the ling pain filled days he will go through thinking of Jenna Ward and her mother suffering day after day. On the contrary, Michael thinks he will be able to just move on and forget about it. Michael soon realizes that he wishes he would have simply turned himself in. Afterwards, it seemed like such a logical choice, but he knew that if he did he would be breaking the loyalty to Joe. Michael changed drastically over the course of only a few weeks. He learned more about his friends, family, and himself than he ever wanted to know.

Hand Made Music Boxes Essay

In a market where monopolistic competition exists, businesses operate in a manner wherein producers sell differentiated products from one another, yet similar. This means that the product is not homogenous. Firms can still market their products by the highlighting the slight differences in their output. The various producers in this type of market are selling their products, in this case handmade music boxes, which act as substitutes. Firms are able to control the prices in some degree within a narrow range of prices. They enter the market if the profits are attractive wherein they can maximize their profit and are left with excess production capacity. In a market where there is monopolistic competition, there are many firms, which each firm has a small market share and operates independently from each other. (Salvatore, 2007) Enterprise, natural, labor and capital are considered as the factors of production in the economy. Given a firm that operates a business in hand made music boxes, these factors of production are important as to gain profit and be able to be competitive in the market. In a monopolistic competitive market, it is assumed that all these factors of production are mobile, in which if these are not being used efficiently, they will move instantly to where they can be maximized. (Harvey & Jowsey, 2007) In an enterprise, entrepreneurial skills are needed to manage and direct the other three factors of production to enable a production of goods or services in the market. Operating a hand made music box needs skills from people that have managerial experiences that can lead the firm into a competitive advantage through effective planning and execution in producing the goods needed in the market. This will help in giving the business a competitive advantage wherein the characteristics of the hand made music box of a certain firm is made with quality than that of other firms in the market. (Case & Fair, 2007) No business can operate without natural or land as part of its factors of production. Land is where the business is being done. It can be a factory, building, agricultural land or office, but this should have a location for it to be established. An access to land is needed in setting up firms. (Case & Fair, 2007) Hand made music box business needs a factory for the assembly of parts and for storing. Moreover, this business needs a shop for the goods to be displayed so that the goods can be seen by the consumers that will buy the product. Access to land and property can raise the standard of production as well as be more competent in the market. (American Journal of Economics and Sociology, 2002) Businesses manage to exist because of its labor force. Firms do need people who can do hours of work for them. In making hand made music boxes, there can be a composition of various assembly lines. These assembly lines are made up of people that will do specific parts in making the hand made music boxes of the firm. Skilled workers help the firm in having competitive advantage in the market. In a competitive market, skills of workers are important to produce high quality goods that can be sold to consumers. This will result in a high advantage of a certain firm that employs highly skilled workers over those firms that employ lesser skilled people. (Harvey & Jowsey, 2007) In every business setting, capital should be present. Capital refers to equipments used by firms to produce goods. The workers of a hand made music box business need equipments for the production of the goods. These equipments will help the production be more effective and efficient. In a competitive market where different firms compete for products being sold to consumers, a firm needs capital that will increase the quality of the product. This will make the firm more advantageous in terms of output and quality in the market. (Harvey & Jowsey, 2007) Given that the situated market is in a monopolistic competition scenario, a firm’s demand curve will intersect the industry’s demand curve at the firm’s equilibrium level of output and price. (Weins, 1999) This explains why the demand curve is relatively elastic and downward sloping, which can be associated to a flat, but not horizontal demand curve. Firms in this type of market will have less control over price to charge their output. A firm that makes profit in the short-run will break even eventually because of a decrease in demand in the long-run, which in this case will result in a zero economic profit. (Duffy, 1993) Considering the law of supply, monopolistic competitive markets might not produce large quantities as a response to higher prices. The hindrance to the positive-quantity supply relation is the market control and downward sloping demand curve among monopolistic competitive markets. Monopolistic competitive firms are considered to be price-searchers rather than price-takers because â€Å"prices will change by the comparison of marginal revenue with marginal cost in every possible price along with the market demand curve. † Prices are not placed equal to marginal revenue; furthermore, it is not equal to marginal cost and price. Thus, as a result, firms do not essentially supply more quantities of goods at lower prices. (Harvey & Jowsey, 2007) In the short-run, individual firms behave like a monopoly thus they can raise their prices leaving the consumers options to buy similar goods from other firms. As for the long-run, there is a free entry condition where firms continue to occur in the market leaving the demand curve to continually shift leftward until the time when each of the firm earns a zero economic profit. Firms earn economic profit or loss in the short run, but eventually, new entrants will be attracted to profits thus would result to losses until these firms earn zero economic profit. The hand made music box firms will compete in the market for the available consumers that will purchase the goods.

The Portrayal of Women in Art: 1962-2002

We have, more or less, as an audience become used to the idealized depiction of women. Often, particularly in classical styles, they were portrayed as reclining nudes who were there for the viewer’s pleasure. With averted eyes, they touched themselves sensually, typically innocent and oblivious that there is someone painting her for all to see. When they weren’t sexual-fantasy fodder, they were servile and obedient–particularly in the 1940?s and 1950?s after the end of the strong women era of World War II. They wore their hair in perfect curls, with their perfect dresses and worked merrily away in their perfect kitchens. In Jack Levine’s Girl with Red Hair there is a shift away from the perfect, care-free woman that came before. Rather, nudity is embraced as an aspect of the woman’s power rather than the viewer’s object. The subject confronts the viewer with her gaze. This portrait is not a portrait of a naked girl, but rather, a girl who happens to be naked. There is no trace of sexiness or sensuality–we are drawn to her face so that we may attempt to discern what this girl is thinking. Though her breasts are there, they are poorly rendered compared to the depth of her face and do not trap the eye like the neatly depicted flesh of the reclining nudes. Hotline for Troubled Teens, 1970. Joe DeMers (1910-1984). Acrylic on board, 22 ? x 18 ? in. New Britain Museum of American Art, Gift of Walt Reed, 2000. 45. Through both this artistic empowerment of women and the then energized Feminist Movement, women became less objects for a viewer’s pleasure and instead independent characters. In Joe DeMers’ Hotline for Troubled Teens, the gender is nearly removed from the girl. She is seen wearing an over-shirt that hides her breasts and her other feminine features are minimized. The girl is entered into a narrative–no longer is there a displaced nude body just lying around. Instead, we are shown a girl in her not-so-ideal life. Her face is concerned and the telephone cord is wrapped about her shoulders and wrist. She appears to be entirely dismissive of her viewers–be they out on the street around her, or elsewhere. She is self-serving and concerned with only her present situation. The title even suggests that this girl is reaching out (at the time, even that would have been taboo) in order to help herself–a principle that began to empower women during the Feminist Movement. Laneisha II, 1996. Dawoud Bey (b. 1953). Polacolor ER prints, 90 x 45 3/4 in. New Britain Museum of American Art, Members Purchase Fund, 2000. 34. This is one of my favorite pieces of the collection for many reasons. Predominantly, the depiction of women has centered around the â€Å"ideal woman†Ã¢â‚¬â€œwhich, if you haven’t picked up a magazine lately, is typically white, attractive, young, thin and perky. The woman here, however, is the antithesis. Though she is attractive, she does not have the â€Å"elegant† features that a painter might have looked for in the first half of the century. She is fragmented into six pieces and while they mostly match up–in that there are no huge gaps of information–there is a significant deformation of her figure. Her face is extra wide and left arm seems oddly long. A clear difference between the perfectly kept and rendered women of the past, this modern woman allows her flaws and her discord to be reflected in between each frame. She is a woman, not an object to behold. Untitled, 2000. Cindy Sherman (b. 1954). Color photograph, edition 1/6, 32 1/2 x 22 in. Members Purchase Fund, 2000. 88. I particularly enjoy this piece for several reasons: like the piece above, she is not typically â€Å"beautiful†Ã¢â‚¬â€œparticularly for the era in which it was taken. Rather, her appearance is outdated–thick, dark eyebrows, slicked back hair and that awful blue blouse she is wearing. Instead of dismissing the woman as ugly, we are able to see past her physicality. She bears a face that almost says â€Å"Yeah, so what? ’ to her audience. She isn’t hip, nor is she young and beautiful (as dictated by the standards of society) any more. There is a bluntness to this photograph that disempowers the sitter; it almost seems as if she’s the one judging and not vice-versa. Beauty I, 2002. Mark Catalina (b. 1965). Acrylic on canvas, 72 x 72 in. New Britain Museum of American Art, Gift of the Artist, 2003. 01 Lastly, this piece seems to me to be the most poignant out of the bunch. We are not privy to the â€Å"real† image, but only its negative. In form, we might recognize the person as a female. They have breasts, long flowing hair, jewelry†¦ some of the key indicators of what we may associate with being a woman. However, with the inverted colors, we are shown someone with manly features and thus, the lines of gender are blurred. Clearly, the makeup the subject is wearing is exaggerated–dark lips and cat-like eyeshadow–and further masks the individual’s gender. This piece is so inexorably tied to the way in which sex and gender are separated and defined. In this, the artist is redefining the appearance of women, in that women may not even be â€Å"feminine† at all. This piece broaches the subject of femininity and womanhood in an entirely new way, and is entirely appropriate in the evolving context of women in art. What do you think about the portrayal of women in art? How has it changed in the last 500 years? 50 years? 5 years? How can women gain power through representation in art? How does this compare to men in art?

Lighter-Than-Air Craft History

Lighter-Than-Air Craft History The history of lighter-than-air flight began with the first hot-air balloon built in 1783 by Joseph and Etienne Montgolfier in France. Immediately after the first flight - well, float might be more accurate - engineers and inventors worked toward perfecting a lighter-than-air craft. Although inventors were able to make many advancements, the biggest challenge was to find a way to successfully steer the craft. Inventors conceived numerous ideas - some seemingly reasonable, like adding oars or sails, others a little far-fetched, like harnessing teams of vultures. The problem wasnt solved until 1886 when Gottlieb Daimler created a light-weight gasoline engine. Thus, by the time of the American Civil War (1861-1865), the lighter-than-air crafts were still unsteerable. However, they quickly proved to be an invaluable military asset. In a tethered balloon several hundred feet in the air, a military scout could survey the battlefield or reconnoiter an enemys position. Contributions of Count Zeppelin In 1863, 25-year-old Count Ferdinand von Zeppelin was on a years leave from the Wurttemberg (Germany) army to observe the American Civil War. On August 19, 1863, Count Zeppelin had his first lighter-than-air experience. Yet it wasnt until his forced retirement from the military in 1890 at age 52 that Count Zeppelin began to design and build his own lighter-than-air crafts. While Daimlers 1886 lightweight gasoline engine had inspired many new inventors to attempt a sturdy lighter-than-air craft, Count Zeppelins crafts were different because of their rigid structure. Count Zeppelin, partly using notes he had recorded in 1874 and partly implementing new design elements, created his first lighter-than-air craft, the Luftschiff Zeppelin One (LZ 1). The LZ 1 was 416-feet-long, made of a frame of aluminum (a lightweight metal not commercially produced until 1886), and powered by two 16-horsepower Daimler engines. In July 1900, the LZ 1 flew for 18 minutes but was forced to land because of some technical problems. Watching the second attempt of the LZ 1 in October 1900 was an unimpressed Dr. Hugo Eckener who was covering the event for the newspaper, the Frankfurter Zeitung. Eckener soon met Count Zeppelin and over several years cultivated a lasting friendship. Little did Eckener know at this time that he would soon command the first lighter-than-air ship to fly around the world as well as become famous for popularizing airship travel. Count Zeppelin made some technical changes to the design of LZ 1, implementing them in the construction of LZ 2 (first flown in 1905), which was soon followed by LZ 3 (1906), and then followed by LZ 4 (1908). The continued success of his lighter-than-air craft changed Count Zeppelins image from the foolish count his contemporaries had called him in the 1890s to a man whose name became synonymous with lighter-than-air crafts. Though Count Zeppelin had been inspired to create lighter-than-air crafts for military purposes, he was forced to concede the advantage of paying civilian passengers (World War I again changed the zeppelins into military machines). As early as 1909, Count Zeppelin founded the German Airship Transport Company (Deutsche Luftschiffahrts-Aktien-Gesellschaft DELAG). Between 1911 and 1914, DELAG carried 34,028 passengers. Considering that Count Zeppelins first lighter-than-air craft had flown in 1900, air travel had quickly become popular.

Getting an Italian Tattoo

Getting an Italian Tattoo Youve finally decided to get a tattoo. A tattoo in Italian, no less. Why not? Foreign language tattoos have a certain cachet- many people dont know what they say, lending the tattoo a certain sophistication or flair. But thats the point. Many people, including the tattoo artist, dont understand what the tattoo says, and a simple slip of the needle can turn love (amare) bitter (amaro). Italian Tattoos Are Forever Beware: an Italian tattoo is forever. On an episode of Miami Ink on TLC, a customer went to a tattoo parlor and, being Italian American, wanted per sempre tattooed vertically down his forearm from elbow to wrist. He told the tattoo artist it meant forever and gave him the drawing he made himself. The tattoo artist, who did not know Italian, proceeded to finish the tattoo as drawn. When finished, the customer looked at it in horror! Written on his arm was pre sempre- which has no meaning in Italian. The customer had spent much effort in making the lettering artistic that he spelled it wrong. The tattoo artist was able to fix the error, but it was a costly mistake. Context Is King If youre thinking about getting an Italian tattoo (in Italian: farsi fare un tatuaggio- to have oneself tattooed, to be tattooed) one thing to consider is context. A trendy phrase in English might not mean anything in Italian or, worse, require a bit of linguistic gymnastics to render the term comprehensible in Italian. In addition, there may be no cultural reference. For instance, keep it real is a popular American pop culture term- but its a phrase that has no resonance in Italian everyday life. In fact, if Italians were to use the term, theyd say it in English to indicate their knowledge of American pop culture. Character Counts Another consideration when getting a tattoo, obviously, is whether it fit on your ankle, bicep, back, or wherever else youve decided you want the image. If there is text involved, be aware that Italian translations of English phrases and terms are typically longer- both the words themselves and the total number of words. Either the font size of the letters will have to be smaller to fit the same area, or you will have to bulk up that bicep so thats theres more skin to ink! If An Italian Tattoo Is A Must If youre absolutely, positively convinced that you want an Italian tattoo, consult a native Italian speaker. Better yet, ask a few Italian speakers and get a range of opinions about both the grammatically correct translation of the term or phrase youre considering, and also whether it has any significance in Italian. This way you wont have an Italian tattoo permanently etched into your skin that, although it makes sense literally, isnt part of everyday speech. Whatever you do, avoid online automatic translators- they are notorious for rendering incomprehensible statements. And make sure the tattoo artist understands exactly how the word or phrase should read before beginning his work. A Picture Paints A Thousand Words Walk into the Sistine Chapel and one of the lasting images is the brilliance of the colors on the walls and ceilings. Now imagine what an Italian Renaissance artist could accomplish with a broad expanse of back, a forearm, or thigh. Thats an Italian tattoo that wouldnt require translation- the vivid colors and dramatic personae would tell a story better than any phrase rendered into Italian, and would be unique as well. That might be the best Italian tattoo anyone could design and execute.

Standardized Coding Systems Assignment Example | Topics and Well Written Essays - 250 words

Standardized Coding Systems - Assignment Example A standard language improves patient care and also the adherence to the standards of nursing care. Assessment of nursing competency is also made possible. Communication among Nurses as well as other Health care practitioners is made better thus; documents by a particular nurse can be used by any other nurse thus flexible service providence (Nursing World Organisation, 2014). As the technology changes, the mode of recording and keeping health related data and documents has also changed. Most of the records are Electronic documents(ED). The use of ED can only be effective with a standardise vocabularies to descried key components of the health care process (Thompson, 2013). The Committee for Nursing Practice Information Infrastructure (CNPII) of the America Nurses Association (ANA) recognize thirteen standardized languages one of which has been discarded. Two of then languages are interdisciplinary while two are minimum data set. The rest seven languages are nursing specific. Any individual m ay develop a language and then submit it to the CNPII for approval voluntary. The developer should only make sure that, the nomenclature, classification, data set and terminologies of the language supports the nursing practices and that there is no ambiguity (Philadelphia: NANDA (2012). Standardisation is necessary as data collection and analysis to evaluate nursing care outcomes are enhanced (Nursing World Organisation, 2014). Standardized Nursing Language: What Does It Mean for Nursing Practice? (n.d.). Retrieved December 16, 2014, from

Consumer experience and Luxury Branding Essay Example | Topics and Well Written Essays - 1750 words

Consumer experience and Luxury Branding - Essay Example   There are various ways in which the consumers experience fashion retail on a global scale. These experiences can either be seen or felt. The first experience is psychological or emotional. Saprikis, Chouliara, and Broekhuizen (2010, p.2) observed that an individual’s purchasing choices are influenced by four major psychological factors, including perception, motivation, learning, beliefs, and attitude. Liu and Forsythe (2010, p.83) illustrate that the intention of the customer to shop is positively linked with the attitude towards purchasing, and affects their decision-making and purchasing behavior. Khitoliya (2014, p.18) argue that perceived usefulness, convenience, and perceived enjoyment are the dominant factors that affect consumer perceptions about a brand. Cao, Xu, and Douma add that enjoyment in intrinsic motivation. When a customer enjoys a product, it impacts positively on the sales of that particular brand. It is equally important to note that when the employees are motivated and satisfied with their job, it translates into a good feeling to the customer since they are able to interact well with the staff and get quality products that make them be satisfied. Schmitt claims that products and services that emerge from the brand’s real soul connect psychologically to the consumers. As a result, it generates emotionally positive experience from the customers. Zara uses emotional client experience of increased self-confidence, self-esteem, and happiness to meet the customer preferences.